This aligns with the general direction of architecture, which was moving away from figurative expression and into the abstract world. His design process aimed to create an intellectual, systematic, and rational system for chroma application. His color theory is described at length in his book " Pol圜hromie Architecturale," translated as Polychrome Architecture, published in 1931. Le Corbusier’s approach to color, defined through his early text, is cautious, using a restricted palette of what he qualified as “architectural colors,” favoring primary and earthy tones. Save this picture! Master Plan for Chandigarh. While moving away from the use of color as decoration, a variety of approaches dictate its use, which was carefully considered from the beginning of the design process. Combined with the concept of “material truth” first articulated by Victorian critic John Ruskin, white-colored architecture is often understood as straightforward, clear, and sincere.ĭuring the early 1920s and 1930s, however, color theory was widely discussed and implemented by leading architects, including Le Corbusier, Theo van Doesburg and the group de Stijl, and Bruno Taut, thus creating a more colorful rendition of what we now call Modernist architecture. Relieved of superfluous decorations, modern architecture became associated with the predominant use of white surfaces to highlight the volumetric composition. Given that the architects of modernity were in search of purity of form, it stands to reason that the image of this modern architecture is almost inevitably rendered in white in the collective imagination.
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